History of
Interior Design-Pilar Uribe Donatiu-Archizoom & Superachitettura
Archizoom
Associati was a design studio from Florence, Italy established in 1966. A group
of students had just finished architecture school but were frustrated at the
lack of work and the general status of the architecture profession.The founders
of this studio were Andrea Branzi (architect and designer), Gilberto Corretti
(architect and designer), Paolo Deganello (architect and designer) and Massimo
Morozzi (engineer and architect), this gathering later em 1968 joined Dario
Bartolini (designer) and Lucia Bartolini (designer).
Archizoom
made his first display called "Superachitettura" in December 1966
with the group Superstudio. The display highlighted bright and colourful
projections and models brough up the idea of radical anti design as dynamic
couch “Superonda” (design by Andrea Branzi) created by Poltronova. During 1967
Archizoom still remained in the expositions as "Super Architettura 2"
and "Modena" that brought the idea of kitsch dormitories called
"dream beds".
Another
ironical object is Archizoom's "Mies" seat, named after the famous
Mies Van Der Rohe. They used his own trademark chrome tubes, also with Le
Corbusier's cowhide cushions. The seat was designed to take consumers of
modernism to a stupid extreme.
“The
superarchitettura is the architecture of the super production, of the over
consumption, of the inducement to over consumption, of supermarkets, of
superman and the super fuel and a sample of ‘archizoom’ and ‘super
studio’.” This was written in a poster advertising an event of
Superarchitettura in December 1966. In this exposition they presented many of
the furniture that they used to criticize. It was a mix of Pop Art related to
mass consumption and the irony of Archizoom.
All
in al i think that this movement was important forseveral reasons. Even if the
movement was to criticise others it ended up being a very creative result which
was later “copied” by others in their actual designs. Moreover, a change in
society’s mentality was needed, and what better tan creating a movement that
satirizes very popular designs to explain to the mass what they were doing
wrong and why they should not follow certain trends and movements of the time.
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